New Desor numbers explained

Ellington Record Labels
Transcriptions

Last update 2010-12-28


RCA Victor Program Transcription Popular Selections
These were 10" single-sided Victor 33 rpm standard-groove pressings, intended for special Victrola home phonographs which were on the market during the 1931-33 era.
(Transcriptions made later by other labels were usually meant for radio broadcasts.)
See the discussion of these two transcriptions on page 11 of DEMS Bulletin 99/1
RCA Victor transcription
L-16006
Matrix 71812-2 or 71812-3


Duke Ellington and His Orchestra



Mood Indigo
Hot and Bothered
Creole Love Call


New Desor DE3202 a to f

Recorded Feb 3, 1932
RCA Victor session, Studio #1,in NYC
Takes 2 and 3 are identical. This is one of the earliest known stereo recordings, made with two 2 microphones placed separately in the studio. Playing the two records simultaneously produces stereo.
(Playing time = 7:40)



Courtesy: The Dooji Collection
added 2010-05-23
RCA Victor transcription
L-16007
Matrix 71836-2 or 71837-1
It is uncertain if 71837-1 exists. Aasland's and Jepsen's discographies either ignore it or call it unknown. Timner says it's these three titles.


Duke Ellington and His Orchestra



East St. Louis Toodle-Oo,
Lots o' Fingers,
and Black and Tan Fantasy


New Desor DE3204 a to c

Recorded Feb 9, 1932
RCA Victor session, Studio #1,in NYC
(Playing time = 7:34)


Standard Program Library transcriptions

Duke Ellington and His Orchestra recorded Standard transcriptions on January 15, September 17 and December 3, 1941 in RCA Victor's Hollywood Studio.

Only two of the titles in the January session were done on commercial recordings too, Strayhorm's Take the "A Train and son Mercer Ellington's John Hardy's Wife.

Steven Lasker writes in THE INTERNATIONAL DEMS BULLETIN 02/1 April-July 2002, that Strayhorn used chord progressions in "A" Train from the Fields / McHugh standard Exactly Like You from 1930, which in turn he says owes a debt to the chord changes in the main theme of Ellington's Oklahoma Stomp, recorded in 1929.

In Duke Ellington: A Listener's Guide, Eddie Lambert suggests the Ellington Frankie and Johnny solo in the second session is the best example of his work as a piano soloist from this period. Jimmie Blanton departed before the third session, due to health, and he died a few months later.

The Standard transcription recordings are available on the CD Duke Ellington: The Complete Standard Transcriptions on the Soundies label, catalogue no. SCD4107.

Standard Program Library
Disc P-132
Matrix PMS 055250


Duke Ellington and His Orchestra



Take the "A" Train
Recorded 1941-01-15
New Desor DE4101a

I Hear a Rhapsody
Recorded 1941-01-15
New Desor DE4101b

Bounce
Recorded 1941-01-15
New Desor DE4101c

It's Sad But True
Recorded 1941-01-15
New Desor DE4101d

Madame Will Drop Her Shawl
Recorded 1941-01-15
New Desor DE4101e



Courtesy: The Dooji Collection
added 2010-05-23
Standard Program Library
Disc P-132
Matrix PMS 055251


Duke Ellington and His Orchestra



Frenesi
Recorded 1941-01-15
New Desor DE4101f

Until Tonight
Recorded 1941-01-15
New Desor DE4101g

West Indian Stomp
Recorded 1941-01-15
New Desor DE4101h

Love and I
Recorded 1941-01-15
New Desor DE4101i

John Hardy's Wife
Recorded 1941-01-15
New Desor DE4101j



Courtesy: The Dooji Collection
added 2010-05-23
Standard Program Library
Disc P-169
Matrix PMS 061661


Duke Ellington and His Orchestra



Clementine
Recorded 1941-09-17
New Desor DE4120a

Chelsea Bridge
Recorded 1941-09-17
New Desor DE4120b

Love Like This Can't Last
Recorded 1941-09-17
New Desor DE4120c
vocal Ivie Anderson

After All
Recorded 1941-09-17
New Desor DE4120d

The Girl In My Dreams Tries To Look Like You
Recorded 1941-09-17
New Desor DE4120e
vocal Herb Jeffries




Courtesy: The Dooji Collection
added 2010-05-23
Standard Program Library
Disc P-169
Matrix PMS 061662


Duke Ellington and His Orchestra




Jumpin' Punkins
Recorded 1941-09-17
New Desor DE4120f

Frankie and Johnny
Recorded 1941-09-17
New Desor DE4120g

Flamingo
Recorded 1941-09-17
New Desor DE4120h
vocal Herb Jeffries


Bakiff
Recorded 1941-09-17
New Desor DE4120i



Courtesy: The Dooji Collection
added 2010-05-23
Standard Program Library
Disc P-183
Matrix BS061946



Duke Ellington and His Orchestra



Stomp Caprice
Recorded 1941-12-03
New Desor DE4126a

Bugle Breaks
Recorded 1941-12-03
New Desor DE4126b

You and I
vocal Herb Jeffries
Recorded 1941-12-03
New Desor DE4126c

Have You Changed?
Recorded 1941-12-03
New Desor DE4126d

Raincheck
Recorded 1941-12-03
New Desor DE4126e



Courtesy: Graham Newton
added 2010-08-21
Standard Program Library
Disc P-183
Matrix BS061947



Duke Ellington and His Orchestra



Blue Serge
Recorded 1941-12-03
New Desor DE4126f

Moon Mist
Recorded 1941-12-03
New Desor DE4126g

I Don't Want To Set The World On Fire
vocal Herb Jeffries
Recorded 1941-12-03
New Desor DE4126h

Easy Street
Recorded 1941-12-03
New Desor DE4126i

Perdido
Recorded 1941-12-03
New Desor DE4126j



Courtesy: Graham Newton
added 2010-08-21
World Program Service transcriptions

The original World transcriptions were vertical cut 16" discs, monaural 331/3 records; reissues after release 514 were lateral cuts.

DEMS 85-3 suggests there were no matrix numbers for these first two recording sessions. The masters used a two-part number: a 200 prefix denoted instrumentals, 300 was for vocals and 100 was for marches and polkas. 100 was mistakenly used for Tea for Two).

Ellington signed with World Program Service in 1943 after ending his Standard Transcriptions contract. His first two World Program Service sessions were November 8 and 9, 1943. World Program Service became a subsidiary of Decca and, before Ellington's next World session on December 1, 1943, began to use four digit master numbers prefixed by "N".

Ellington recorded for World in 1945 as well, on January 2, January 3, July 31, and August 7.

A full list of Ellington's World Program Service recordings by session, together with images of World's index cards and a more detailed discussion of this series, can be found in
World Program Service
Disc 472


Duke Ellington and His Orchestra



Hop Skip Jump
Master BB37563-A C2-3
Recorded 1943-11-08
New Desor DE4359v


I'm Beginning to See the Light
Master N-2996-3
Recorded 1945-01-02
New Desor DE4501h




Courtesy: The Dooji Collection
added 2010-03-28
World Program Service
Disc 504
Collector's Corner


Duke Ellington



Boy Meets Horn
Master BB37652-C1-3
Recorded 1943-11-08
New Desor DE4359k


Mood Indigo
Master BB37635-B C1-4
Recorded 1943-11-08
New Desor DE4359z


Caravan
Master BB37688-B C1-1
Recorded 1943-11-09
New Desor DE4360t


Courtesy: The Dooji Collection
added 2010-03-28
World Program Service
6029 to 6033


Duke Ellington and His Famous Orchestra



Tea for Two
Master BB 37653 A C2-1
Recorded Movember 8, 1943
New Desor DE4359t


Summertime
Master BB 37652 D C1-5
Recorded November 8, 1943
New Desor DE4359p

Sentimental Lady
Master BB 37652 E C1-2
Recorded November 8, 1943
New Desor DE4359r

Mood Indigo
Master BB 37653 B C1-4
Recorded November 8, 1943
New Desor DE4359z




Courtesy: The Dooji Collection
added 2010-05-26
World Program Service
6049 to 6053


Duke Ellington and His Famous Orchestra



Rockin' in Rhythm
Master BB37652-B C1-1
Recorded 1943-11-08
New Desor DE4359e


A Slip of the Lip
Master BB37667-A C1-5
Recorded 1943-11-09
New Desor DE4360e /font>

Blue Skies
Master BB37653-B C1-2
Recorded 1943-11-09
New Desor DE4359x


Go Away Blues
Master BB37667-D C1-1
Recorded 1943-11-09
New Desor DE4360m




Courtesy: The Dooji Collection
added 2010-03-28
World Program Service
6499 to 6503


Duke Ellington and His Famous Orchestra



Three Cent Stomp
Master BB37667-B C1-3
Recorded 1943-11-09
New Desor DE4360h


Main Stem
Master BB37667-A C1-3
Recorded 1943-11-09
New Desor DE4360c

Do Nothin' Till You Hear From Me
Master BB37652-D C1-3
Recorded 1943-11-08
New Desor DE4359n

Things Ain't What They Used To Be
Master BB37668-A C1-1
Recorded 1943-11-09
New Desor DE4360p




Courtesy: The Dooji Collection
added 2010-03-28
World Program Service
6909 to 6913


Duke Ellington and His Famous Orchestra



Jam Blues (C Jam Blues)
Master BB 37653-A C2-2
Recorded 1943-11-08
New Desor DE4359u


Ring Dem Bells
Master N-1061-1
Recorded December 1, 1943
New Desor DE4362n


I Ain't Got Nothing But the Blues
Master N-3005-6
Recorded January 3, 1945
New Desor DE4502u (incorrectly marked Wo 6909/6918)


You Never Know The Things You Miss
Master N-3008-2
Recorded January 3, 1945
New Desor DE4502ab


Pitter Panther Patter (sic)
Master N-3002-1
Recorded January 3, 1945
New Desor DE4502j


Courtesy: The Dooji Collection
added 2010-05-29
World Program Service
7699 to 7703


Duke Ellington and His Famous Orchestra



I Wonder Why
MasterBB37667-C C1-4
Recorded 1943-11-09
New Desor DE4360l


Caravan
Master BB37688-B C1-1
Recorded1943-11-09
New Desor DE4360t


Prairie Fantasy
Master N-3003-2
Recorded 1945-01-03 (as Frantic Fantasy)
New Desor DE4502l




Courtesy: The Dooji Collection
added 2010-03-28
World Program Service
8319 to 8323


Duke Ellington and His Famous Orchestra



Subtle Slough
Master N-2999-3
Recorded 1945-01-03
New Desor DE4502c


Blue Cellophane
Master N-2998-3
Recorded 1945-01-02
New Desor DE4501-1


Ultra Blue
Master N-3533-2
Recorded 1945-08-07
New Desor DE4554b


Tear Drops in the Rain

Recorded 1945-07-31
New Desor DE4552c




Courtesy: The Dooji Collection
added 2010-03-28
Capitol Transcriptions


Duke Ellington And His Orchestra recorded for Capitol Transcriptions on March 28 1946, at the WMCA Studios, New York.

Capitol Records initially was associated with the MacGregor transcription company but started its own Capitol Transcription Service in 1945, which lasted to about 1953. Its 16 inch records were intended just for radio airplay, and were leased to subscribing radio stations. Originally these records were to be destroyed after a specific play date, but after the war, the idea changed to creating permanent musical libaries for the participating stations.

Capitol's Transcriptions were released in several series, denoted by the prefix letter
  • A   Popular (approx. 120 discs, 85% instrumental, some vocal - different artists on each side until A-74
  • B   Standard (last number B-572) - same artist usually on both sides
  • C   Concert
  • D   Latin American
  • E   International
  • G   Western/Hillbilly
  • J   Brass Band
  • K   Religious
  • N   Novelty
  • W   Salon
  • X   Themes/Voice Tracks - signature tunes, patter and announcements.

source: www.jazzdiscography.com

Capitol Transcriptions Series B-163


Duke Ellington



Crosstown
Recorded 1946-03-28
New Desor DE4609a

Passion Flower
Recorded 1946-03-28
New Desor DE4609b

Everything Goes
Recorded 1946-03-28
New Desor DE4609d

Recorded at WMCA Studios, New York City.


Courtesy: The Dooji Collection
added 2010-03-28
Capitol Transcriptions Series B-164

Duke Ellington



Riff'n'Drill
Recorded 1946-03-28
New Desor DE4609f

Magenta Haze
Recorded 1946-03-28
New Desor DE4609c

Eighth Veil
Recorded 1946-03-28
New Desor DE4609e

Blue Abandon
Recorded 1946-03-28
New Desor DE4609g

Recorded at WMCA Studios, New York City.


Courtesy: The Dooji Collection
added 2010-03-28
Capitol Transcriptions Series B-165

Duke Ellington



Rugged Romeo
Recorded 1946-03-28
New Desor DE4609j

Transblucency
Recorded 1946-03-28
New Desor DE4609h

Jenny
Recorded 1946-03-28
New Desor DE4609k

Embraceable You
Recorded 1946-03-28
New Desor DE4609i

Recorded at WMCA Studios, New York City.


Courtesy: The Dooji Collection
added 2010-03-28
Capitol Transcriptions Series B-166

Duke Ellington



The Jeep is Jumpin'
Recorded 1946-03-28
New Desor DE4609m

Sono
Recorded 1946-03-28
New Desor DE4609l

Tip Toe Topic
Recorded 1946-03-28
New Desor DE4609q

Perdido
Recorded 1946-03-28
New Desor DE4609p

Recorded at WMCA Studios, New York City.


Courtesy: The Dooji Collection
added 2010-03-28
Capitol Transcriptions Series B-245

Duke Ellington



Rockabye River
Recorded 1946-07-11
New Desor DE4621a

A-Gatherin' in a Clearing
Recorded 1946-07-11
New Desor DE4621b

You Don't Love Me No More
Recorded 1946-07-11
New Desor DE4621c

Pretty Woman
Recorded 1946-07-11
New Desor DE4621d

Recorded in a Capitol Radio Transcription session, Hollywood Studios, Los Angeles, Calif.


Courtesy: The Dooji Collection
added 2010-04-16
Capitol Transcriptions Series B-246

Duke Ellington



Just Squeeze Me
(But Don't Tease Me)

Recorded July 11, 1946
New Desor DE4621e

Suddenly It Jumped
Recorded July 11, 1946
New Desor DEDE4621g

Hey Baby
Recorded July 11, 1946
New Desor DE4621f

Come Rain or Come Shine
Recorded July 11, 1946
New Desor DE4621h




Courtesy: The Dooji Collection
added 2010-05-29






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